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Ballet

Premiere Schedule Ensemble

Opera

Premiere Schedule Ensemble

Drama

Premiere Schedule Ensemble

Drama

  • Jonas Anders

    Guest

    Jonas Anders

    Guest

    Jonas Anders was born in Berlin in 1987 and trained at the Hochschule für Schauspielkunst Ernst Busch. While still a student he made guest appearances at the Deutsches Theater Berlin. After graduating in 2011 he became a full-time ensemble member at Düsseldorfer Schauspielhaus until 2015. In the summer of 2014 he played the title role in «Hinkemann» by Ernst Toller at the Salzburg Festival. Since 2015 Jonas Anders has been based in Hamburg and works freelance, with guest appearances at the Maxim Gorki Theater in Berlin and also at Theater Basel, where he could be seen in Dani Levy’s production of Bertolt Brecht’s «The Threepenny Opera».

    Profil schliessen
  • Eva Bay

    Gast

    Eva Bay

    Gast

    Eva Bay wurde 1983 in Hamburg geboren und ist in Überlingen am Bodensee aufgewachsen. Erste Bühnenerfahrungen sammelte sie an der Berliner Volksbühne. Ihr Schauspielstudium absolvierte sie von 2004 bis 2009 an der HFF Potsdam. Bereits während ihres Studiums spielte sie als Gastschauspielerin am Hans Otto Theater Potsdam und hatte einige Arbeiten in der freien Theaterszene in Berlin. Am Ballhaus Naunynstrasse hatte sie ihre erste Zusammenarbeit mit der Regisseurin und Autorin Nora Abdel-Maksoud, mit der sie bis jetzt eine enge Zusammenarbeit verbindet.

    Sie spielt u. a. am Volkstheater München, Theater Neumarkt, Maxim Gorki Theater Berlin. Zuletzt spielte sie die Hauptrolle in «Cafe Populaire» im Theater Neumarkt von Nora Abdel-Maksoud, womit sie zum Schweizer Theatertreffen und den Deutschen Autoren Tagen eingeladen wurden. Ausserdem war sie in zahlreichen Kinofilmen wie z. B. «Männer zeigen Filme und Frauen ihre Brüste» und Fernsehproduktionen zu sehen.

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  • Paul Behren

    Guest

    Paul Behren

    Guest

    Paul Behren was born in Tübingen in 1991. He made his debut as an actor in 2010 in the children’s play Gulliver’s Travels (director: Annette Büschelberger) at the Theater der Stadt Heidelberg. From 2011 to 2015 he trained as an actor at the Folkwang University of the Arts in Essen. While still a student he played guest roles at Schauspielhaus Bochum. From 2015 to 2017 he was a full-time ensemble member at the Munich Volkstheater, where he appeared in productions including Crime and Punishment (director: Christian Stückl). In 2016/17 Paul Behren joined the ensemble of the Deutsches Schauspielhaus in Hamburg. Here he worked with directors such as Karin Beier, Michael Thalheimer and Frank Castorf.

    He has worked as a freelance actor, dancer and performer since 2018, most recently with the choreographer Tim Behren in the play Brothers, the choreographer Sayouba Sigue in the play Assemblage and the director Evgeny Titov in the play Summer Visitors at the Salzburg Festival. For his role in Crime and Punishment Paul Behren was nominated as «Best Young Actor» by the magazine Theater heute. In 2018 he was awarded the Körber-Stiftung’s Boy Gobert Prize as the «Best Young Actor» in Hamburg.
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  • Andrea Bettini

    Andrea Bettini

    Born in Zürich-Höngg. Studied acting from 1983 to 1987 at the Conservatoire for Music and Theatre in Berne. Member of the acting companies at Theater Göttingen, Theater Oberhausen and Schauspielhaus Zürich. Regularly worked on independent productions. Founded the duo I Pelati Delicati with Basso Salerno.

    Andrea Bettini has been a member of the acting company at Theater Basel since 2001/2002.

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  • Linda Blümchen

    Linda Blümchen

    Born in Berlin in 1994, her first experiences of theatre came as a member of the Youth Club at the Maxim Gorki Theater run by Suna Gürler. The ensemble was invited to the Berliner Festspiele’s Theatertreffen der Jugend with «Critical Mass». Since 2016 Blümchen has studied Acting at the University of the Arts Berlin.

    Before and during her studies she performed in Bastian Kraft’s production of Arthur Miller’s «Death of a Salesman» at the Deutsches Theater Berlin and acted in various projects at the bat-Studiotheater with directing students from the Hochschule für Schauspielkunst Ernst Busch (including Branko Janack and Henry Rabe). At the Ringtheater in Berlin she collaborated with contemporaries to create the play «Auf die Bombe» (text and direction: Franziskus Claus).

    In 2018 she was awarded a scholarship by the Study Foundation of the German People. In the 2018/2019 season Linda Blümchen appeared for the first time at Theater Basel in Arthur Miller’s «The Crucible» and has now become a full-time ensemble member in the 2019/2020 season.
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  • Carina Braunschmidt

    Carina Braunschmidt

    Born in Munich in 1971 and grew up in Switzerland. Attended School of Design in Lucerne. Trained as a carpenter and set-maker in Lucerne and Zurich. Followed by training as an actor at the Otto-Falckenberg-Schule in Munich. First engagement at the Münchner Kammerspiele, where she worked with Herbert Achternbusch, Dieter Dorn and others. She became a full time member of the acting company at the Luzerner Theater when Barbara Mundel took over as Artistic Director. During this period she worked with directors including René Pollesch und Sebastian Baumgarten. In 2006 she moved to Theater Basel with new Artistic Director Georges Delnon and his Director of Theatre Elias Perrig. Here she worked with Peter Kastenmüller, Elias Perrig, Corinna von Rad, Joachim Schloemer, Anna Viebrock and above all with Christoph Marthaler. In his productions she performed on tour in Antwerp, Athens, Avignon, Berlin, Edinburgh, Lausanne and Paris. She received the Audience Award for her role in «Das Weisse vom Ei» at the 1st Swiss Theatertreffen and also the Prize of the Theaterverein Luzern. She has also won numerous other awards. Carina Braunschmidt is a jury member of the Friedl Wald Stiftung for promoting young artists. In collaboration with the homeless newspaper Surprise she initiated the «Stadtrundgang der Armen» in Basel; a further city tour is planned for Zurich. Numerous roles for film and television and as a voice-over artist.

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  • Klaus Brömmelmeier

    Klaus Brömmelmeier

    Graduated from the Zurich Academy of the Arts in 1996. In 1996 and 1997 he was engaged at Schauspielhaus Zürich and Stadttheater Bern. He subsequently became an ensemble member at Theater Freiburg for three years. From 2000 to 2006 he joined the ensemble at Theater Basel, where he appeared in productions by Stefan Bachmann, Lars-Ole Walburg, Barbara Frey, Michael Thalheimer, Dani Levy, Stefan Pucher, Ruedi Häusermann and Sebastian Nübling. He also performed at the Vienna Burgtheater in Wajdi Mouawad’s «Scorched» (director: Stefan Bachmann). For his role in Hamlet directed by Michael Thalheimer, Klaus Brömmelmeier won the German Artistic Directors’ Prize for 1999.

    From 2009 to 2019 Klaus Brömmelmeier was a full-time ensemble member at Schauspielhaus Zürich, where he was seen as Alfred Ill in Dürrenmatt’s «The Visit» (director: Viktor Bodó), as Sultan Saladin in Lessing’s «Nathan the Wise» (director: Daniela Löffner) and in numerous other productions including Schiller’s «The Virgin of Orleans» (director: Stephan Kimmig). In 2016/2017 Klaus Brömmelmeier appeared in Ferdinand Schmalz’ «Thermal Resistance» (director: Barbara Falter, invited to the Mülheimer Theatertagen), «Dogville» after Lars von Trier (director: Stephan Kimmig), Guy Krneta’s «In Formation» (director: Sebastian Nübling) and Bertolt Brecht’s «Mr Puntila and his Servant Matti» (director: Sebastian Baumgarten). In co-direction with Sibylle Burkart Klaus Brömmelmeier also created the production «Das Leben ist eigentl. schön» with young people at Schauspielhaus Zürich in 2009/2010, Paul Burkhard’s nativity play «D’Zäller Wiehnacht» in 2011/2012  and the cross-generational research project «Brauchst du mich noch?» in 2014/2015.


    He was seen most recently at Schauspielhaus Zürich in Brecht’s «The Threepenny Opera» (director: Tina Lanik), Shakespeare’s «Measure for Measure» (director: Jan Bosse), Tennessee Williams’ «A Streetcar Named Desire» (director: Bastian Kraft) and is currently performing at the Vienna Burgtheater in Wolfram Lotz’ «Eternally Ants» (director: Jan Bosse) and at Schauspielhaus Zürich «The Traveller» after Ulrich Alexander Boschwitz (director: Manon Pfrunder).
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  • Holger Bülow

    Holger Bülow

    Born in Freising in 1979 and grew up in Marburg. After two terms of Media Studies in Marburg, from 2001 to 2005 he trained as an actor at the Hochschule für Musik und Theater Felix Mendelssohn Bartholdy in Leipzig. His first engagement took him to Schauspiel Hannover, then the Hans Otto Theater Potsdam and Schauspiel Köln until he became a full-time ensemble member at Staatsschauspiel Dresden. He also appeared as a guest at Schauspielhaus Hamburg, Theater Bremen and Theater Klagenfurt. Directors he has worked with include Mateja Koležnik, Marco Štorman, Julia Hölscher, Laura Linnenbaum, Sebastian Baumgarten, Karin Henkel, David Marton, Herbert Frisch, Barbara Bürk and Clemens Sienknecht. He has also appeared in films. He has received nominations in 2011 as Young Artist of the Year in the magazine «Theater heute» and in 2015 for the Daphne Prize for an Emerging Artist.

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  • Martin Butzke

    Gast

    Martin Butzke

    Gast

    geboren 1974 in Wilhelmshaven. Nach dem Schauspielstudium an der Hochschule für Musik und
    Theater in Saarbrücken war er von 1997– 2001 am Theater
    Ingolstadt engagiert, wo ihm für die Rolle des Roelle in Fleissers «Fegefeuer in Ingolstadt» der Darstellerpreis der Bayerischen Theatertage 2001 verliehen wurde. 2001– 2006 war er Ensemblemitglied an den Münchner Kammerspielen, 2006 – 2010 am schauspielfrankfurt. Er spielt ausserdem in tv- und Kinoproduktionen, u.a. in «Wer wenn nicht wir» von Andres Veiel und «Jud Süss – Sympathie für den Teufel» von Oskar Roehler. 2010/2011 spielte er in Weimar in Corinna von Rads Inszenierung von «Der Sturm». Am Theater Basel spielte er bei Peter Kastenmüller: in «Jenseits von Eden» u.a. den Caleb und in «Das siebente Siegel» den Ritter Antonius Block.

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  • Jeanne Devos

    Gast

    Jeanne Devos

    Gast

    Jeanne Devos, 1984 im Appenzellerland geboren, studierte bis 2010 Schauspiel an den Hochschulen der Künste Bern und Zürich. Während ihres Studiums war sie in der Inszenierung «Schutz und Rettung – ein Musikabend in stabiler Seitenlage» (Regie: Thom Luz) zu sehen. Im Anschluss ging sie als festes Ensemblemitglied ans Deutsche Nationaltheater Weimar. Seit der Spielzeit 2013/14 ist sie als freischaffende Schauspielerin tätig und arbeitete u.a. am Luzerner Theater, Konzert Theater Bern, Staatstheater Darmstadt, Schauspiel Frankfurt und WERK X Wien. Zuletzt spielte sie in der Eins zu Eins Begegnung «Diorama Bregenz – der letzte Mensch» von Bernhard Mikeska.

    2016/17 war sie als Artist‐in‐Residence Stipendiatin mehrere Monate in Brüssel um sich im Bereich Tanz weiterzubilden. Neben ihrer Bühnentätigkeit arbeitet sie regelmäßig als Sprecherin für Hörspielproduktionen.
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  • Jan Dravnel

    Gast

    Jan Dravnel

    Gast

    Der polnisch-litauische Schauspieler Jan Dravnel wurde 1983 in Vilnius, Litauen geboren und erhielt seine Ausbildung an der Theaterakademie in Warschau. Seit 2005 gehört er dem Ensemble des TR Warschau an und arbeitet unter anderem mit renommierten Regisseuren wie René Pollesch («Jackson Pollesch», 2011), Krystian Lupa («City of Dream», 2012) und Krzysztof Garbaczewski («Robert Robur», 2016). Mit Michał Borczuch verbindet ihn bereits eine längere Zusammenarbeit, etwa bei den Produktionen «The Metaphysics of a Two-Headed Calf» (2010) sowie «My Struggle» (2017) am TR Warschau und «Frogs» (2018) am Teatr Studio in Warschau.

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  • Julischka Eichel

    Gast

    Julischka Eichel

    Gast
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  • Inga Eickemeier

    Inga Eickemeier

    Born in Göttingen in 1982. Studied at the Hochschule der Künste in Berne until 2006. While she was a student she played guest roles at Theater Basel. She has been a member of the acting company at Theater Basel since the 2006/2007 season. She performed in «Visitors» by Jon Fosse, «A Family» and «Three Sisters» directed by Elias Perrig and could also be seen as Dr. Stockmann in «An Enemy of the People» (director: Simon Solberg), as Donna in «Taking Care of Baby« (director: Caro Thum), as Elisabeth in «Faith, Hope and Charity» directed by Hans Hollmann and in the «Heracles Trilogy» (director: Peter Kastenmüller). Most recently she played the role of Gina in Amélie Niermeyer’s production of Ibsen’s «The Wild Duck».

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  • Mario Fuchs

    Mario Fuchs

    Born in Berne in 1985 and grew up in Solothurn. Initially studied German and History at Basel University, followed by training as an actor at the Zurich Hochschule der Künste. Guest roles at Theater Luzern and Theater Winterthur. From 2012 until 2014 company member at Schauspiel Frankfurt/Main, where he worked together with directors including Schorsch Kamerun, Christopher Rüping, Alexander Eisenach and Laura Linnenbaum. In 2014 he travelled to Bolivia, Chile, Argentina and Northern and Eastern Europe while simultaneously working on his own one man show. Mario Fuchs is the winner of the Emerging Artist Prize awarded by Migros Kulturprozent, der Friedl Wald Stiftung and the canton of Solothurn.

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  • Martin Gantenbein

    Gast

    Martin Gantenbein

    Gast

    Der Schweizer Musiker und Komponist Martin Gantenbein studierte Germanistik, Literaturkritik und Publizistikwissenschaft an den Universitäten Basel und Zürich und wirkt seit seiner Jugend als Schlagzeuger und Komponist in experimentellen Rock- und freien Improvisationsgruppen mit Auftritten im In- und Ausland und diversen CD-Veröffentlichungen. Ab 1994 schreibt und arrangiert er Bühnenmusik zu Theaterstücken und arbeitete u.v.a. mit Marcelo Dìaz, Niklaus Helbling, Jasmine Hoch, Tim Kramer, Thom Luz, François-Michel Pesenti, Kurt Josef Schildknecht, Samuel Schwarz und Tomas Schweigen u.a. für das Nationaltheater Mannheim, Opernhaus Dortmund, Schauspiel Frankfurt, Schauspiel Hannover, Schauspielhaus Zürich, Thalia Theater Hamburg, Theater Neumarkt Zürich, Theater der Jugend Wien, Theater St. Gallen und seit 2012 regelmässig für das Theater Basel. Er ist Mitbegründer und war von 1999 bis 2012 Musiker, Darsteller und Produktionsleiter der freien Musik-Theater-Formation Mass & Fieber Zürich. Er entwickelt Sounddesigns für Choreografien, Hörspiele, Kurzfilme, Lesungen und Gesamtinstallationen. Als Gastdozent zur Musikdramaturgie in Schauspiel und Film wirkt(e) er in Zürich an der ZHdK (Dep. Darstellende Künste & Film) und in Luzern an der HSLU (Design & Kunst).

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  • Michael Gempart

    Gast

    Michael Gempart

    Gast

    Michael Gempart erhielt seine Schauspielausbildung von 1957 bis 1960 am Bühnenstudio Zürich. Erste Engagements führten ihn an das Schauspielhaus Zürich sowie an das Stadttheater Bern. Von 1959 bis 1963 war er Ensemblemitglied am Theater Basel, wo er u.a. mit Heinz Hilpert, Rudolph Spalinger und Erich Holliger zusammenarbeitete. 1964 wechselte Gempart ans Bayerische Staatsschauspiel München, wo er mit einem einjährigen Unterbruch bis 1973 tätig war. Danach war er als freischaffender Schauspieler u.a. am Deutschen Schauspielhaus Hamburg, am Theater Neumarkt Zürich, am Staatstheater am Gärtnerplatz, am Münchner Volkstheater, am Theater Basel, am Schauspielhaus Zürich und bei den Salzburger Festspielen engagiert und arbeitete u.a. mit Barbara Bilabel, Hartmut Wickert und Luc Bondy zusammen. Des Weiteren verband Gempart eine enge Zusammenarbeit mit dem deutschen Regisseur Christoph Schlingensief. 2003 wirkte er in «ATTA ATTA – Die Kunst ist ausgebrochen» an der Volksbühne Berlin und 2004 in «Bambiland» und 2009 in «Mea Culpa» am Burgtheater Wien, wo er Ensemblemitglied war, mit. Neben seiner Arbeit am Theater, ist er auch in vielen Film- und Fernsehproduktionen zu sehen, u.a. in «Das Boot ist voll», «Finsterworld» und «Der Bestatter».

    Nachdem Michael Gempart bereits in der Spielzeit 2015/2016 für «Die Bacchen» in der Regie von Robert Borgmann ans Theater Basel zurückkehrte, wird er in der Spielzeit 2017/2018 in «Kaspar Hauser und Söhne» erneut an seiner ehemaligen Wirkungsstätte zu sehen sein.

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  • Pascal Goffin

    Pascal Goffin

    Pascal Goffin, born in 1982 in Schleswig-Holstein, completed his acting training at the Zurich Academy of the Arts in 2010. While still a student he performed at the Deutsches Schauspielhaus in Hamburg, the Theater Neumarkt in Zürich and in freelance productions. Engagements followed at the Junges Theater Göttingen, Konzert Theater Berne and most recently at Schauspielhaus Graz. Directors he has worked with include Claudia Bauer, Claudia Bossard, Markus Bothe, Dominic Friedel, Volker Hesse and Stephan Rottkamp. Pascal Goffin is a full time ensemble member at Theater Basel in the 2019/2020 season.

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  • Jonas Götzinger

    Jonas Götzinger

    Jonas Götzinger was born in the Zürcher Oberland in 1991 and trained as an actor from 2011 to 2016 at the Zurich Academy of the Arts. He appeared in numerous productions while still a student including at the Theater Neumarkt in Zurich and Luzerner Theater. In 2016 he won a solo prize at the Theatertreffen deutschsprachiger Schauspielstudierender. He was also awarded a study prize by Migros-Kulturprozent and received awards during his studies from the Armin Ziegler-Stiftung and the Friedl Wald Stiftung. From 2016 to 2019 Jonas Götzinger was a full time ensemble member at the Hans Otto Theater in Potsdam. On television he played a leading role in a series of the SRF production «The Undertaker» in 2019.

    Jonas Götzinger is a full-time ensemble member at Theater Basel in the 2019/2020 season.
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  • Urs Peter Halter

    Urs Peter Halter

    Was born in Lucerne in 1974. He studied acting at the Salzburg Mozarteum Academy of Music and Performing Arts. His first engagement was from 2000 to 2002 at Theater Dortmund, and was subsequently engaged from 2002 to 2005 at Theater Freiburg under Artistic Director Amélie Niermeyer, with whom he joined the ensemble of Düsseldorfer Schauspielhaus in 2006. During this period he played a number of leading roles including Bottom in «A Midsummer Night’s Dream» (director: Àlex Rigola), Ferdinand in «Love and Intrigue» (director: Stephan Rottkamp), Ariel in «The Tempest», Telegin in «Uncle Vanya» (director: Sebastian Baumgarten), Orlando in «As You Like It» (director: Amélie Niermeyer), Spitta in «The Rats» (director: Volker Lösch). In 2007 he performed at the Salzburg Festival in «Ein Fest für Boris» (director: Christiane Pohle). He has also worked with directors including Oliver Reese, Daniela Löffner, Corinna von Rad, Oliver Frljic, Alexander Müller-Elmau, Hermann Schmidt-Rahmer and Philipp Preuss. Also numerous film and tv productions («Tatort», «Ruhm», Ihr mich auch», «F. est un salaud» – a film by Marcel Gislerder, which was awarded the Swiss Film Prize.)

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  • Anica Happich

    Anica Happich

    Born in Magdeburg in 1989. Before completing her training as an actor from 2012 to 2016 at the Academy of Music and Performing Arts in Frankfurt am Main, she had already appeared at Theater Magdeburg in the production «Breaking the Waves» (director: Jan Jochymski). During her studies this was followed by guest appearances at Schauspiel Frankfurt in «The Lower Depths» by Maxim Gorky (director: Johanna Wehner) and «The Broken Jug» by Heinrich von Kleist (director: Oliver Reese). While still a student she also performed in the one-on-one encounter «THE HOUSE» by Bernhard Mikeska.

    From 2016 to 2019 she was an ensemble member at Theater Bielefeld performing in productions including Molière’s «The Misanthrope» (director: Mareike Mikat), Fatma Aydemir’s «Elbow» (director: Dariusch Yazdkhasti) and Samantha Ellis’ «How to Date a Feminist» (director: Christian Schlüter). She founded the young ensemble-netzwerk in 2016 and was elected to the board of the ensemble-netzwerk in 2018. Together with the artist Vincent zur Linden she conceives and realises performative evenings such as «Johanna&Don» (working title) and «Let me be your human selfie-stick».

    She is an ensemble member at Theater Basel in the 2019/2020 season.
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  • Malte Homfeldt

    Guest

    Malte Homfeldt

    Guest

    Malte Homfeldt was born in 1987 and grew up in Northern Germany. After graduating successfully from a Hauptschule and then failing to gain a Realschule qualification at business college, he began a course to train as a chef, which he then abandoned. Once he was able to complete training as a ceramicist, he gained his first experience of theatre at a small theatre in Hamburg. He then started an acting course at the Academy of the Arts in Berne in 2014. While still a student his roles included Benvolio in Shakespeare’s «Romeo and Juliet» (director: Daniel Pfluger) at Staatstheater Saarbrücken. He played the role of the trucker Ben in his graduation production «Dogville» after the film by Lars von Trier (director: Volker Lösch). Volker Lösch then hired him as a guest for his production of «Road to Life» at Staatsschauspiel Dresden, where he also performed in Bertolt Brecht’s «The Good Woman of Sezuan» (director: Nora Schlocker).

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  • Martin Hug

    Martin Hug

    Born in Wetzikon and studied acting at the Zurich Theatre Academy. He was subsequently engaged by the Landesbühne Wilhelmshaven, Wuppertaler Bühnen and the Theater des Westens in Berlin, Schauspielhaus Zürich, Stadttheater Bern, Luzerner Theater and the Theater an der Winkelwiese in Zürich. He has worked together with directors including Peter Zadek, Elias Perrig and Stefan Bachmann, Rafael Sanchez, Tomas Schweigen and Simon Solberg. Martin Hug has been seen in numerous Swiss film and tv productions Produktionen («Verdingbub», «Sommervögel», «Tatort», «How about love», «Am Hang»). He has been a member of the acting company at Theater Basel since the 2001/2002 season and was seen most recently in Ibsen’s «The Wild Duck» (director: Amélie Niermeyer).

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  • Nicola Kirsch

    Gast

    Nicola Kirsch

    Gast

    Born in Ludwigshafen on the Rhine in 1975. Studied acting at the Hochschule für Musik und Theater in Hanover. Was engaged from 1997 to 2002 at Staatstheater Hannover (performances included «Marat/Sade» by Peter Weiss, director: Andreas Kriegenburg; «Legoland» by Dirk Dobbrow, director: Armin Petras), and from 2003 to 2007 at the Vienna Burgtheater (productions included «Time of the Plancks» by Sergi Belbel, director: Philip Tiedemann; «Wir machen’s auch ohne – A Hommage to Werner Schwab», director: Stephan Rottkamp; «Swim Like Dogs» by Reto Finger, director: Harald Brückner; «The Sunken Cathedral» by Gert Jonke, director: Christiane Pohle).
    From 2007 to 2015 she was engaged at the Vienna Schauspielhaus where she appeared in Ewald Palmetshofer’s plays (including «hamlet is dead. no gravity» and «faust is hungry and chokes on grete», director: Felicitas Brucker) and in Theresia Walser’s «I am like you, I love apples» (director: Sebastian Schug). For her role as Helen in «Orphans» by Dennis Kelly Nicola Kirsch was nominated for the Nestroy Prize as Best Actress in 2011.

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  • Simon Kirsch

    Gast

    Simon Kirsch

    Gast

    Simon Kirsch was born in Munich in 1985 and completed his acting training from  2006 to 2010 at the Otto Falckenberg-Schule in Munich, during which time he made guest appearances at the Münchner Kammerspiele. For the graduation show with his class, «Richard III», he was awarded the O.E. Hasse Prize and the solo prize at the Theatertreffen of German-speaking drama schools. From 2009 to 2013 Simon Kirsch was an ensemble member at the Burgtheater Vienna. Since the 2013/2014 season, he has been based at Schauspiel Köln. Kirsch also makes regular appearances in front of a camera.

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  • Roland Koch

    Guest

    Roland Koch

    Guest

    Born in Uezwil (Switzerland) in 1959 and grew up in Muri, Aargau. Studied psychology and ethnology at Zurich University from 1979 to 1982 and acting at Zurich Drama School from 1980 to 1984. Following engagements at Schlosstheater Celle, Landestheater Tübingen, Stadttheater Konstanz and Schauspielhaus Hannover, he has been engaged by the Vienna Burgtheater since 1999. Roland Koch has enjoyed a long working relationship with the director Andreas Kriegenburg (including Doctor Thomas Stockmann in «An Enemy of the People» by Henrik Ibsen in 1998, invited to the Berlin Theatertreffen, and being nominated as Best Actor in Theater heute magazine in 2010 for  Pandolfo in Goldoni’s «Servant of Two Masters» at Schauspiel Frankfurt). He was nominated for the Nestroy Prize as “Best Actor” in both 2008 and 2011 and the “Audience Award” in 2012. Directing includes Shakespeare: «Much Ado About Nothing» at Landestheater Niederösterreich, St. Pölten in 2013 and Moritz Rinke: «We love and know nothing» at St. Gallen in 2014.
    Numerous television appearances (Doktor Gesswein in the tv series «Der Fürst und das Mädchen»; «Mona-Seiler-Krimis» with Mariele Millowitsch; the lead in ARD series «Geld.Macht.Liebe» from 2008 to 2009; the role of Count Metternich in «Geliebter Johann Geliebte Anna» in 2009 (best tv film at the Romy Awards 2010). Since Autumn 2011, Roland Koch has played Swiss detective Matteo Lüthi in the team of SWR’s Tatort-Konstanz. He is a visiting lecturer for the University of Applied Arts Vienna’s Department of Theatre- and Filmmaking.  He also teaches acting at the "Vienna Conservatoire" and the subject of creating a role at the Max Reinhardt Seminar in Vienna.

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  • Maximilian Kraus

    Guest

    Maximilian Kraus

    Guest

    Born in Munich in 1984, he trained as an actor at the Zurich Academy of the Arts, ZHdK. While still a student he performed at Theater Biel/Solothurn in Felicia Zeller’s «Conversations with Astronauts» (director: Laura Koerfer) and in «Alice» by Robert Wilson/Tom Waits (director: Andreas Herrmann) at Luzerner Theater. From 2013 to 2018 he was a full-time ensemble member at the Theater Neumarkt in Zurich. He has particularly happy memories of productions such as «Crisi di Nervi» by Jacques Palminger & Carsten Aerobique Meyer, «Out of the Dark» a solo evening with Falco (director: Johann Kuitan), Robert Menasse’s «The Capital» (director: Tom Kühnel, invited to the Autorentheatertagen 2018 in Berlin), «Heart of a Dog» by Michael Bulgakov (director: Pedro Martins Beja), Bertolt Brecht’s «Mr Puntila and his Servant Matti» (director: Peter Kastenmüller), Goethe’s «Faust» (director: Tom Schneider) and Voltaire’s «Candide or Optimism» (director: Simone Blattner).

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  • Matthias Luckey

    Gast

    Matthias Luckey

    Gast

    Matthias Luckey wurde 1982 in Hamburg geboren und spielte bereits früh an der Hamburgischen Staatsoper sowie am Deutschen Schauspielhaus in Hamburg. 2005 bis 2009 studierte er an der Hochschule für Schauspielkunst Ernst Busch Berlin. Während dieser Zeit gastierte er auch mit Büchners «Dantons Tod» und Musils «Die Schwärmer» am Deutschen Theater Berlin. Nach dem Diplom 2009 wurde er festes Ensemblemitglied am Staatsschauspiel Dresden, dem er bis 2017 angehörte und wo er mit Regisseuren wie Stefan Bachmann, Andreas Kriegenburg, Tilmann Köhler, Wolfgang Engel, Rafael Sanchez, Julia Hölscher, Friederike Heller, Roger Vontobel, Jan Gehler, Nuran David Calis und Jan Klata arbeitete. Wichtige Rollen in dieser Zeit waren unter anderem Kommissar Escherich in Falladas »Jeder stirbt für sich allein«, Lars Koch in Schirachs «Terror», Johann in Erich Kästners «Drei Männer im Schnee», der Doktor in Büchners «Woyzeck» sowie in den Uraufführungen von Ibrahim Amirs «Homohalal», Peter Richters «89/90», Kästners «Klaus im Schrank» sowie «Mein deutsches deutsches Land» und «Kein Land. August» von Thomas Freyer. Außerdem entwickelte er mit dem Pianisten Benjamin Rietz den Liederabend «Just the two of us». Matthias Luckey gastiert am Düsseldorfer Schauspielhaus in «Michael Kohlhaas» (Regie: Matthias Hartmann, 2017) sowie als Lanzelot Gobbo in «Der Kaufmann von Venedig» (Regie: Roger Vontobel, 2018). Er spielte 2018 bei den Nibelungen Festspielen in Worms «Last Exit: Hunnenland» (Regie: Charlotte Sprenger) und gastiert zurzeit neben dem Theater Basel auch am Theater Heidelberg und Volkstheater Wien. Er dreht außerdem für Film und Fernsehen, zuletzt als Johann Wolfgang von Goethe in «Männerfreundschaften» unter der Regie von Rosa von Praunheim.

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  • Isabelle Menke

    Isabelle Menke

    Wurde in Bremen geboren und erhielt ihre Schauspielausbildung am Mozarteum Salzburg. Nach freien Projekten in Bonn und Engagements in Wilhelmshaven und Lübeck war sie von 1993 bis 1999 Ensemblemitglied am Theater am Neumarkt Zürich. Danach arbeitete sie als Gast am Schauspielhaus Zürich und dem Theater Basel. In den Jahren 2000 bis 2006 gehörte sie dem Ensemble des Staatstheater Hannover an. Von 2007 bis 2009 war sie am Theater Basel engagiert. Sie arbeitete u. a. mit Stefan Bachmann, Barbara Frey, Elias Perrig, Sebastian Nübling, Jürgen Gosch, Ruedi Häusermann und Christoph Marthaler zusammen. Ab der Spielzeit 2010/2011 wird Isabelle Menke dem Ensemble des Schauspielhaus Zürich angehören, wo sie seit Dezember 2009 in «Rechnitz. Ein Würgeengel» von Elfriede Jelinek zu sehen ist.

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  • Birgit Minichmayr

    Guest

    Birgit Minichmayr

    Guest

    Born in Austria in 1977 and grew up near Linz. She was engaged by the Vienna Burgtheater while still training at the Max Reinhardt Seminar, making her debut as the whore in Schnitzler’s «La Ronde» in 1999. In April 2004 she appeared in Frank Castorf’s «Greed for Gold» at the Ruhrfestspiele in Recklinghausen, a co-production with the Berlin Volksbühne, whose acting company she joined in 2004. In 2010 and 2011 she played the Lover in «Jedermann» at the Salzburg Festival. She made her cinema debut in 2000 in «Abschied». She was hailed as a “shooting star” for her role in István Szabo’s «Taking Sides» at the 2001 Berlinale. She has appeared in numerous other films including Oliver Hirschbiegel’s «Downfall», Tom Tykwer’s adaptation of the novel «Perfume», Doris Dörrie’s «Kirschblüten – Hanami», Michael Haneke’s «The White Ribbon» and Matthias Glasner’s «Gnade».
    Birgit Minichmayr was a company member at the Vienna Burgtheater from 2007 to 2012 performing numerous roles including «Der Weibsteufel» and Lady Macbeth. From 2011 to 2013 she was a company member at the Munich Residenztheater. Since 2014 she has worked freelance in Vienna, Munich, Berlin und Hamburg. In the course of her career she has worked as an actor with directors including Frank Castorf, Klaus Maria Brandauer, Dimiter Gotscheff, René Pollesch, Stephan Kimmig, Luc Bondy and Martin Kušej.
    On television Birgit Minichmayr was recently seen in leading roles in «Adele − Das Geld der Anderen» and «Eine Liebe für den Frieden – Bertha von Suttner und Alfred Nobel». She can currently be seen in the ZDF series «Dengler – die letzte Flucht» directed by Lars Kraume. She has received numerous acting awards including the Nestroy Theatre Prize on four separate occasions. She won the Silver Bear at the 2009 Berlinale for her role in Maren Ade’s «Everyone Else».

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  • Julia Nachtmann

    Guest

    Julia Nachtmann

    Guest

    Born in Stuttgart in 1981. While training as an actor at the Hochschule für Musik und Theater in Hamburg she made numerous guest appearances at the Thalia Theater. From 2005 to 2013 she was member of the ensemble at the Deutsches Schauspielhaus in Hamburg, where she worked with directors including Stephan Kimmig, Georg Schmidleitner, Roger Vontobel, Martin Kusej, Jan Bosse and Dušan David Pařízek. In 2006 she was awarded the Boy Gobert Prise for a young actor at a theatre in Hamburg. In 2015 she appeared at the Deutsches Theater Berlin in Ivan Vyrypayev’s «Intolerably Long Embrace» (director: Andrea Moses) and Lessing’s «Nathan the Wise» (director: Andreas Kriegenburg).

    She has also appeared in several television productions and in the Swabian film comedies «Die Kirche bleibt im Dorf» and «Täterätää! Die Kirche bleibt im Dorf 2» by Ulrike Grote. In addition to her work as an actor, Julia Nachtmann has also voiced numerous audio books and NDR radio programmes.
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  • Caroline Peters

    Guest

    Caroline Peters

    Guest

    Trained as an actor at the Saarland Hochschule für Musik und Theater in Saarbrücken. During her final year as a student she was engaged by Andrea Breth for the Schaubühne Berlin.  Further engagements followed in Hamburg and Zürich, at the TAT in Frankfurt, the Berlin Volksbühne and the Vienna Burgtheater, where she has been a member of the acting company since 2004.  She has worked with the directors Luc Bondy, René Pollesch, Barbara Frey, Dimiter Gotscheff, Karin Beier, Martin Kušej, Nicolas Stemann and others.  On film she has worked repeatedly with Adolf Winkelmann, Arne Feldhusen, Dieter Wedel and Isabel Kleefeld. She won the Adolf Grimme Prize for her strong performance as a kleptomaniac who is almost destroyed by the world around her and can only survive through humour in Isabel Kleefeld’s tv film «Arnie’s World». Other awards followed, including the Bavarian Television Prize, the Ulrich Wildgruber Prize and the Mülheim Playwriting Prize on several occasions for her work with René Pollesch, who insists on sharing this prize with his actors. Alongside her theatre work she has been involved in numerous film and television productions including  «Contergan», «Im Netz»‚ «Schlaflos», «Schöne Frauen» and the international cinema release «Walk on Water». She has become familiar to a wider audience through her leading role in the tv series «Mord mit Aussicht».

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  • Max Rothbart

    Gast

    Max Rothbart

    Gast

    Born in Berlin in 1990. Initially studied Medicine in Berlin, then acting in Salzburg in 2010 and moved to Leipzig in 2011. As part of his course he spent 2013 performing in the Studio of Staatsschauspiel Dresden, where his appearances included the world premiere of Jochen Schmidt’s «Snail Mill» directed by Robert Lehniger, Susanne Lietzow’s production of Juli Zeh’s «Corpus Delicti» and the world premiere of Monika Maron’s «Interlude», directed by Malte Schiller. He also worked with Nuran David Calis and Linus Tunström. He was awarded a bursary by the Studienstiftung des deutschen Volkes (2014/2015).

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  • Katharina Marianne Schmidt

    Theatre Studio

    Katharina Marianne Schmidt

    Theatre Studio

    Born in Steinach in 1996 and grew up in St. Gallen. She was a member of several youth theatre groups and in 2011 appeared in the Swiss premiere of the musical «The Wizard of Oz». She also performed in the Christmas plays at Theater St. Gallen «Ronja Räubertochter» (director: Krzysztof Minkowski, 2015) and «Peter Pan», (director: Bettina Ruinier, 2016). Since 2017 Katharina M. Schmidt has studied Acting at the Academy of the Arts in Berne. Here she participated in devising and performing the drama «L’Europe Sauvage» (director: Joachim Schlömer). In January 2019 together with two contemporaries she led the project «NAKED – Chapters 1-32», a performative exploration of the theme of emotional and physical nakedness on stage and elsewhere. In 2018 she was awarded a Migros Kulturprozent Study Prize. She is a member of the Theatre Studio at Theater Basel in the 2019/2020 season.

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  • Julius Schröder

    Theatre Studio

    Julius Schröder

    Theatre Studio

    Born in Basel in 1994. While still a child he appeared on stage at Theater Basel in Otfried Preussler’s «The Little Witch» (director: Sebastian Nübling, 1999), in J. M. Barrie’s «Peter Pan» (director: Rafael Sanchez, 2003) and in the education project «DNA» by Dennis Kelly (director: Elias Perrig, 2010). In 2012 he joined Junges Theater Basel, where he could be seen in Wolfgang Herrndorf’s «Tschick», as well as in «Strom» after Jacob Aaron Estes in 2014 (both directed by Suna Gürler), in «Camp Cäsar» also in 2014 (director: Daniel Wahl) and then in 2016 in «Melancholia», a co-production between Junges Theater Basel with the opera department of Theater Basel, (directors: Ives Thuwis – De Leeuw and Sebastian Nübling). In 2015 he performed at the Theater Neumarkt in Zurich in Ayad Akhtar’s «Outcast» (director: Alexander Eisenach). He has been a student at the Academy of the Arts in Berne since 2017 and received a scholarship from the Friedl Wald Stiftung in 2018.  In addition to his work in the theatre he is also a member of the Basel-based band «Die Teilchenbeschleuniger». Julius Schröder will spend his studio year at Theater Basel in the 2019/2020 season.

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  • Sebastian Schulze

    Gast

    Sebastian Schulze

    Gast
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  • Maik Solbach

    Guest

    Maik Solbach

    Guest

    Trained as an actor at the Max Reinhardt Seminar in Vienna and was first engaged by the Vienna Burgtheater while still a student. From there he moved to the Düsseldorfer Schauspielhaus, where he was voted North Rhine Westphalia’s Young Actor of the Year for 2000. He was subsequently an ensemble member at Schauspielhaus Bochum, Schauspielhaus Zürich and Schauspiel Köln. Guest engagements took him to the Volksbühne Berlin, the Schaubühne Berlin, the Berliner Ensemble, the Deutsches Schauspielhaus in Hamburg, the Salzburg Festival, the Wiener Festwochen, the Bayerische Staatsoper and back to the Burgtheater. Directors he has worked with include Karin Henkel, Jürgen Gosch, Matthias Hartmann, Sebastian Kreyer, Sebastian Nübling, William Forsythe, Antonio Latella, Frank Hoffmann, Herbert Fritsch and Katie Mitchell. Maik Solbach also acts in film and television. During the 2018/2019 season he could be seen in Katie Mitchell’s production of Richard Strauss’ «Ariadne auf Naxos» (Festival d’Aix-en-Provence and Théâtre des Champs-Élysées Paris) and performed in Pina Bausch’s «Er nimmt sie an der Hand und führt sie in das Schloss, die anderen folgen» at Tanztheater Wuppertal.

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  • Germaine Sollberger

    Theatre Studio

    Germaine Sollberger

    Theatre Studio

    Born in Baden (Aargau) in 1995. She began acting while still at school and after graduating in 2015 she was engaged by Theater Marie for the productions «hit hit bang bang» and «Liliom». In 2016 she was part of the chorus for the production «High (Du weißt wovon)» by René Pollesch at Schauspielhaus Zürich. She has been an acting student at the Academy of the Arts in Berne since 2017, where she presented her graduation piece «Machen wir uns nichts vor» in 2019. She is a member of the Theatre Studio at Theater Basel in the 2019/2020 season.

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  • Thiemo Strutzenberger

    Hausautor und Schauspieler

    Thiemo Strutzenberger

    Hausautor und Schauspieler

    Born in Kirchdorf an der Krems (Upper Austria) in 1982. Studied acting at the Max Reinhardt Seminar in Vienna, where he was taught by Klaus Maria Brandauer, Susanne Granzer, René Pollesch and others. Alongside his training he was also engaged at the Vienna Burgtheater from 2002 to 2005. This was followed by an engagement at the Deutsches Schauspielhaus in Hamburg from 2005 to 2007. In the 2008/2009 season he worked at the Theater am Neumarkt in Zürich with Barbara Weber and Rafael Sanchez.
    At the Vienna Schauspielhaus he acted in the world premiere of «living. under glass» von Ewald Palmetshofer during the 2007/2008 season and became a full time member fo the acting company in 2010/2011.

    He has completed a Master’s degree in Gender Studies at Vienna University. Playwriting grants from the BMUKK and Literar-Mechana have supported his work as a playwright. He also participated in the Forum-Text writing project run by the drama forum of uniT Graz, mentored by the writer Peter Waterhouse. He took part in the Vienna Schauspielhaus’s playwriting programme «stück/für/stück», winning the Audience Award for  the play he created there «Dogs of God». His play «The Zofen Suicides» received its world premiere in 2010. This was followed by further world premieres of his plays «Queen Recluse» (2013, director: Martin Schmiederer) and «Dogs of God» (2014, director: Barbara Weber) at the Vienna Schauspielhaus. 

    In 2015/2016 he joined the acting company at Theater Basel.

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  • Moritz von Treuenfels

    Moritz von Treuenfels

    Born in Eutin in 1988, Moritz von Treuenfels trained as an actor at the Otto Falckenberg Schule in Munich from 2010 to 2014. While still a student, his first engagements were at the Münchner Kammerspiele. In 2015 he became an ensemble member at Düsseldorfer Schauspielhaus, where he won the audience prize «Gustaf» as Best Actor for 2016. In the 2016/2017 season he moved to join the ensemble of the Hans Otto Theater in Potsdam, where he performed in productions including Ayad Akhtar’s «Outcast» (director: Elias Perrig), Heinrich von Kleist’s «Prince Friedrich von Homburg» (director: Alexander Charim), «Dogville» (director: Christoph Mehler), «Crime and Punishment» (director: Alexander Nerlich) and in the musical drama «Rio Reiser. King of Germany» by Heiner Kondschak (director: Frank Leo Schröder).

    In addition to his theatre work, Moritz von Treuenfels is also a film and television actor, whose credits include David Dietl’s feature film «Rate your Date» and the detective series «Tatort».

    Moritz von Treuenfel is an ensemble member at Theater Basel during the 2019/2020 season, where he will introduce himself to Basel audiences as Hans Christian Andersen in the dramatic opera «Andersens Erzählungen» directed by Philipp Stölzl.
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  • Friederike Wagner

    Friederike Wagner

    Born in Hamburg in 1962 and trained as an actor at the Otto Falckenberg Schule in Munich from 1984 to 1988. From 1988 to 1990 she was engaged at the Schauspielhaus in Cologne, before moving to the Schillertheater in Berlin. Subsequent engagements took her to Nationaltheater Mannheim, Schauspielhaus Bochum, Düsseldorfer Schauspielhaus, the Deutsches Theater Berlin and Schauspielhaus Zürich, where she was a full-time ensemble member from 2009 to 2019, working together with directors including Stefan Bachmann, Karin Beier, Frank Castorf, Werner Düggelin, Barbara Frey, Herbert Fritsch, Karin Henkel, Stefan Pucher and Christina Rast. She recently appeared there in Herbert Fritsch’s «Grimmige Märchen» and «Totart Tatort», in Karin Henkel’s «The Ten Commandments» after Kieślowski and «Intense Irritation» after Thomas Mann’s «The Magic Mountain» and also in Barbara Frey’s productions of Ödön von Horvath’s «The Belle Vue» and Heinrich von Kleist’s «The Broken Jug».

    She has also acted on camera in numerous film and television productions including roles in episodes of «Tatort», «Bella Block», «Polizeiruf 110» and «The Undertaker». In 2018 she appeared in Sabine Boss' new feature film «Manager». Friederike Wagner is a member of the Theater Basel ensemble in the 2019/2020 season.
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  • David Michael Werner

    Guest

    David Michael Werner

    Guest

    Born in Zurich in 1990 and grew up in Basel. From 2011 to 2017 he trained as an actor at Zurich Academy of the Arts and during this period appeared in many plays at the Theater der Künste. He received awards from the Friedl Wald Stiftung and the Armin Ziegler-Stiftung. During the 2015/2016 season he completed a studio year at the Luzerner Theater, where he appeared in the electronic chamber opera «Orpheus. Factory» (music and direction: Jakob Suske) as well as Shakespeare’s «Hamlet» and Georg Büchner’s «Danton’s Death» (director: Andreas Herrmann). Since the 2016/2017 season David Michael Werner has worked as a freelance actor at venues including the Theater Kanton Zürich, Theater Chur and the Theater Tuchlaube Aarau.

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  • Wanda Winzenried

    Gast

    Wanda Winzenried

    Gast

    Born in Lausanne (VD) and grew up bilingual in Wollerau (SZ). Her earliest theatrical experiences came at the Kantonsschule Ausserschwyz (SZ) directed by Swiss composer Mischa Käser.

    Since 2016 she has studied Acting at the Hochschule der Künste Berne. During the course she has worked on various projects she has developed herself and directed the project «Bacon», examining the artist Francis Bacon and attempting to transpose the visual arts into the performing arts.

    In 2017 she was awarded a development prize by the Friedl Wald Stiftung and the Migros Culture Percentage Foundation. In 2018 she performed at Schauspielhaus Zürich in the production «Trouble in Paradise» directed by Stephan Müller, where she could also be seen in film excerpts directed by Tom Gerber.

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  • Martin Wuttke

    Guest

    Martin Wuttke

    Guest

    Born in Gelsenkirchen in1962 in Gelsenkirchen. Trained at the Figurentheaterkolleg (German Institute of Puppetry) in Bochum and the Westphalian Acting School in Bochum. He has performed at numerous German theatres including the Volksbühne am Rosa-Luxemburg-Platz, Berliner Ensemble, Schaubühne am Lehniner Platz, Schillertheater and Deutsches Theater in Berlin, the Deutsches Schauspielhaus in Hamburg, the Thalia-Theater Hamburg, Schauspiel Frankfurt and Staatstheater Stuttgart. From 1995 to 1996 he was briefly Artistic Director of the Berliner Ensemble. This was where one of his most successful works was created («Arturo Ui» in Heiner Müller’s production of Brecht) with over 300 performances. From 1999 he worked chiefly for the Berlin Volksbühne. Since 2009 Martin Wuttke has been a member of the acting company at the Vienna Burgtheater.
    He has worked together with directors including Frank Castorf, Christoph Schlingensief, Christoph Marthaler and René Pollesch. He has become familiar to a wider tv audience as the Leipziger «Tatort» detective Keppler.
    His numerous awards include the Gertrud Eysoldt Ring (1995), the Boy Gobert Prize awarded by the Körber-Stiftung (2003), being voted Actor of the Year by the critics in Theater heute magazine (2003 and 2015), the Nestroy Prize for Best Actor (2010), German Theatre Prize DER FAUST in the category theatrical performance (2011) and the Theatre Prize of the Russian Stanislavsky Foundation for outstanding acting performances (2013). He has been a member of the Academy of the Arts, Berlin since 1996.

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  • Leonie Merlin Young

    Leonie Merlin Young

    Born in Augsburg in 1989. Trained as an actor at the Hochschule für Musik und Theater in Munich where she was seen most recently as the Soldier in Rainer Werner Fassbinder’s «Blood on the Cat’s Neck» directed by Thomas Schmauser. During her studies she took guest roles at Theater Ingolstadt, which included the production «Origin of the World», with which she was invited to the International Theatre Festival JoakimInterfest in Kragujevac, Serbia, and the German premiere of Thomas Arzt’s «Grillenparz».

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  • Vincent zur Linden

    Vincent zur Linden

    Born in Düsseldorf in 1994. Before completing his training as an actor at the Otto-Falckenberg-Schule in Munich from 2013 to 2017, he had already been seen at Düsseldorfer Schauspielhaus in a production of Ivan Turgenev’s «Fathers and Son» (director: Frank Abt). This was followed by guest engagements while still a student at the Volkstheater Munich in «A Seagull» after Anton Chekhov (director: Stephanie van Batum) and at the Münchner Kammerspiele in Friedrich Schiller’s «Maria Stuart» (director: Andreas Kriegenburg, invited to the international Schillertage 2017 in Mannheim). He won a scholarship from the Deutschen Bühnenverein’s regional association in Bavaria.  

    From 2017 to 2019 he was an ensemble member at Theater Bielefeld and performed in Lot Vekemans’ «Momentum» (director: Bernhard Mikeska), in Lisa Danulat’s «German Love Letter (to the moon)» (director: Swen Lasse Awe) and in Aeschylus’ «Oresteia» (directors: PRINZIP GONZO).

    Together with the artist Anica Happich he has conceives and performs performative evenings («Johanna&Don» (working title), «Let me be your human selfie-stick», Döblin Reading #6). In addition to his theatre work, Vincent zur Linden regularly works in film and television, most recently appearing in the second season of the Sky original series «Das Boot».

    He is a member of the ensemble at Theater Basel in the 2019/2020 season.
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